Obtaining a lute As you probably already know, the lute is an unusual and uncommon instrument. Used lutes are not common nor are knowledgeable people who can evaluate an instrument for you. Therefore, getting hold of your first lute requires some persistence and self-education. There are folk-type and ahistoric instruments being sold as "lutes" which are not suitable for playing the repertoire of the historic lute, Francesco, Dowland, Weiss et al. You should think about what you are interested in, what you want to do with your instrument, and make sure you know exactly what you are buying before you write a check. The lute's history goes back to pre-historic times in North Africa and the Middle East. Instruments similar to those depicted in medieval manuscripts are still played in this region. After the lute was brought into Europe in the early middle ages it underwent continuous adaptation and evolution, and its form and technique changed along with the style and requirements of European music. We now divide the lute's form and history into three general categories: the medieval lute, up to the middle or late fifteenth century, 4-5 courses*, played with a plectrum the renaissance lute, late fifteenth to early seventeenth century, 6- 8 or 9 courses, played with the fingers, comes in different sizes forming a consort (soprano, alto, tenor, bass; most players own a tenor lute for solo playing), tenor tuning: (D F) G c f a d' g' This is similar to modern guitar tuning, if you tune the guitar's g string down to f# and capo up three frets. the baroque lute, 11-13 courses, early seventeenth to late eighteenth century, played with the fingers, tuned A d f a d' f', hence "D minor lute" (lower strings tuned to a diatonic scale) The 10-course lute is a transitional instrument between renaissance and baroque, and much early to mid-seventeenth century music for lute is in experimental tunings. *A course is a pair of strings tuned to a unison or to the fundamental and the octave, and played as a unit. Generally the top course (top 2 courses, for baroque lute) is single. In the late sixteenth century the lute family put forth a marvellous offshoot in the form of instruments with neck extensions and second pegboxes, the archlute and theorbo or chitarrone (the latter two terms are interchangeable). The second neck and pegbox extend the bass range of the instrument with diapasons tuned diatonically in a scale. These instruments were initially created for accompaniment, primarily of the voice, from a figured bass part, but soon developed a solo repertoire written in tablature. In modern terminology the archlute employs renaissance tuning for its upper 6 courses, the theorbo/chitarrone employs a re-entrant tuning, like renaissance tuning except that the top 2 courses are tuned an octave down. This is because the theorbo typically is a larger instrument with a longer string length, and gut strings of such length could not be tuned to the higher pitches. The first thing you need to decide is what type of lute you want, which depends on what type of music you want to play. Read the article on the lute in the _New Grove Dictionary of Music and Musicians_ (also found in the _New Grove Dictionary of Musical Instruments_) for more information about the history and repertoire. This article has an extensive bibliography and will point you to other articles in NG on related topics, e.g. the section on sources of lute music in the article "Sources." Your library (especially academic libraries) may also have periodicals such as _Early Music_, _Continuo_, _Historical Performance_, and/or publications of the regional lute/early music society which can help you. From these starting points you can set out on ever-widening circles of research. Ask a librarian! They can not only guide you through the particular collection of their library, but help you to use reference indices and computer databases, and locate and borrow materials in other libraries through inter-library loan. Unless they are very large, public libraries may not carry periodicals which specialize in early music, but the staff should be able to use reference tools to locate the names and addresses of such periodicals for you, as well as the names and addresses of regional societies for early music. There are also many recordings of lute music now available, and most have extensive notes about the repertoire presented. This may be the best way to explore the vast repertoire of the lute, to which hundreds of composers contributed. When you obtain the catalogs of dealers who sell modern editions and facsimiles you will begin to get an idea of how much is out there--and this is just what is available in modern publications! There is more that is accessible only in microfilm format. (Note the Microfilm Library of the Lute Society of America; university libraries also hold microfilms and may have or be able to borrow a film of a source you are interested in. Talk to the librarian.) There are several societies for the promotion of the lute and its music (or early music in general), which publish useful journals, newsletters and directories. You should join the society of your geographic region in order to make contact with other lutenists and learn about lute-builders, teachers, workshops, sources of music, strings and other supplies, etc. Getting into the network of knowledgeable people can save you from wasting a lot of time and effort reinventing the wheel. The Lute Society of America (primarily for North America but with a world-wide membership) PO Box 1328 Lexington VA 24450 (703) 463-5812 Mary B. Hinely, Administrator: bhinely@liberty.uc.wlu.edu Caroline Usher, President: cpu@suna.biochem.duke.edu publishes annual scholarly Journal, quarterly newsmagazine, Directory of Members, music; has lending library of microfilms, sponsors summer workshops 1994 dues: $35 (VISA and MasterCard accepted) Early Music America 11421 1/2 Bellflower Rd. Cleveland OH 44106 (216) 229-1685 Executive Director: Beverley Simmons bxs6@po.cwru.edu publishes journal, directory of members which includes professional performers and teachers, agents, instrument builders, workshops, college and graduate programs in early music, other early music organizations, etc., etc. 1994 dues: $35 individual, $45 family, $20 student, $50 outside US & Canada The Lute Society (Great Britain) Christopher Goodwin Southside Cottage Brook Hill Albury Guildford Surrey GU5 9DJ England Tel: 01483 202159 Fax: 01483 203088 publishes annual journal and (quarterly?) newsletter and sponsors meetings and workshops (A personal message from Chris: "Please note that this is a private residence: please do not phone or fax at times when you might wake up my grey-haired mother. Overseas callers, please be aware of the time difference.") Societa Italiana del Liuto (Italy) Via Stendhal, 61 20144 Milano Italy (02) 4224178 Nederlandse Luit Vereniging (the Netherlands) Willem Pijpers Dotterbloemlaan 14 3742 EE BAARN the Netherlands publishes quarterly magazine De Tabulatuur 1994 dues: (in Dutch guilders) 45,- ordinary membership; 25,- below 16 years; 15,- second member on the same address Societe Francaise de Luth 48 rue Bargue F-75015 PARIS France Foreningen for Tidig Musik (The Swedish Early Music Society) Box 23019 S-750 23 Uppsala Sweden Ceskoslovenska Spolecnost Violy da Gamba (also includes lutenists and luthiers; my information dates from before the division of Czechoslovakia into 2 countries) David Freeman, Administrator Stresovicka 24 162 00 Praha 6 Czech Republic Early Music Society of Victoria Inc. 9 Merribell Avenue East Coburg Victoria 3058 Australia Phone (03) 755 2137 Australian Association of Musical Instrument Makers PO Box 341 Epping NSW 2121 Australia, Phone (02) 772 4415 Fax (02) 868 2893 Early Music Association of New South Wales (Australia): The EMA of NSW is an active organisation which publishes a newsletter monthly, has monthly meetings which involve speakers, players, both professional and amateur and consort play-ins. The contact address is- Early Music Association of NSW Inc. PO Box 735 Chatswood NSW 2057 Australia Our voice phone number is (02) 550 1301 and you may also drop us some e-mail if you wish Thanks for your time Hilary Rhodes hilary@geko.com.au Liuuto no Kai (Lute Society in Tokyo) Mr. Katsuyuki Yazawa 4-15-19 Oshima Koto-ku, Tokyo 136 Japan The publications of these societies contain ads for instrument builders and stores that may sell lutes, as well as classified ads from private individuals who have lutes for sale. Through them you may be able to find a teacher near you who can help you find a lute or who can evaluate an instrument that you have found. If you live in North America, you may wish to contact Pat O'Brien, a private teacher of lute and guitar in New York City. As a service to the community, Pat keeps a list of people who have lutes for sale or who wish to buy a lute. He may be able to match you up with an appropriate instrument. You can contact him at 50 Plaza St. East, Brooklyn NY 11238. A reputable seller will allow you to buy an instrument "on spec," i.e. you have a reasonable amount of time after receiving the instrument (a week or so) to get it evaluated, decide if you like it and want to keep it. If you are not satisfied you should be able to get your money back upon return of the instrument in original condition. Disclaimer: The following lists of businesses are not necessarily complete, nor have I had personal experience with all the businesses listed. Inclusion (or omission) of any business does not constitute a recommendation. Additions and corrections to the list are welcome. The following businesses may have lutes in stock for immediate purchase, or may be able to provide you names and addresses of builders. Also see the FAQ file of professional lute-builders. NORTH AMERICA: The Early Music Shop 2010 14th St. Boulder CO 80302 (303) 499-1301 The Early Music Studio 990 Kent St. White Rock British Columbia Canada Kelischek Workshop Rt. 1, Box 26 Brasstown NC 28902 (704) 837-5833 The Early Music Shop of New England (Von Heune Workshop) 65 Boylston St. Brookline MA 02146-7602 (617) 277-8690 ORIENT: Koten Gakki Center (Early Instruments Center - a branch of Gitarura Music Publishing Co.) 3-17-49 Shimo-ochiai Shunjuki-ku, Tokyo, 161 Japan Phone (Tokyo) 3-3-952-5515 Has imported music, used instruments. Good place to check for early music concerts. Carries several lute methods (Renaissance and Baroque) written in Japanese. Takes orders for student lutes made by Mr. Yamashita. These businesses sell strings: NORTH AMERICA: E.&O. Mari/La Bella 256 Broadway Newburgh, NY 12550 (914)562-4400 http://www.LaBella.com Damian Dlugolecki 520 S.E. 40th St. Troutdale OR 97060 (503) 669-7966 Olav Chris Henriksen Boston Catlines 34 Newbury St. Somerville MA 02144 617-776-8688 catlines@aol.com Dan Larson Gamut Strings 26 N. 28th Ave. E. Duluth MN 55812 (218) 724-8011 http://www.gamutstrings.com/ AquilaUSA P.O. Box 82761 Portland, Oregon 97282-0761 (503) 788-5029 info@aquilausa.com http://www.macsolve.com/aquilausa/ EUROPE: Aquila Corde Armoniche by Pace Manuela & Co. via Costantini N. 16 36100 Vicenza Italy (Italia) fax 0039-(0)444-960773 email: aquila@protec.it Savarez 51, rue Deleuvre - 69004 Lyon B.P. 4356 69241 Lyon Cedex 4 France Sofracob S.A. Zone Industrielle 38121 Reventin-Vaugris France Dr. Karl Junger Postfach 6 D-8521 Bubenreuth/Erlangen Deutschland Bernd Kuerschner, Obere Waldstrasse 20, D-65232 Taunusstein, Germany, +49-6128-6910, fax 8207 Mimmo Peruffo, Via Costantini 16, I-30600 Vicenza, Italy, +39-44-960 773 Pyramid, Saiten- und Stimmpfeifenfabrik Junger GmbH, Sudetenstrasse 41-43, Postfach 6, D-91088 Bubenreuth/Erlangen, Germany Fax: 0049 9131206642 from USA 011-49-9131-206642 Pirastro Strings Gustav Pirazzi&Comp.Postfach 540 D 6050 Offenbach am Main GERMANY Telefon:069/831011 Telex:413143 piraz d Matthias Wagner sells Savarez and Aquila strings Ruschstrasse 5, D-79235 Vogtsberg-Oberrotweil, Germany Tel. (0049)-7662/94346 Fax. (0049)-07662/94347 Matthias.Wagner_Lauten@t-online.de The following businesses sell music and books of interest to lutenists: NORTH AMERICA: Early Music Shop of New England 59-65 Boylston Street · Brookline, MA 02146 · (617) 277-8690 · info@vonhuene.com http://www.vonhuene.com/ Editions Orphee 407 N. Grant Ave., Suite 400 Columbus OH 43215-2157 (614) 224-4304 (He may no longer be selling retail wbc, july 2001) Guitar Solo 1411 Clement St. San Francisco CA 94118 Old Manuscripts and Incunabula (OMI) P.O. Box 6019 FDR Station New York NY 10150 (212) 758-1946 Steve Immel: immels@panix.com EUROPE: Casalini libri s.p.a. Via Benedetto da Maiano, 3 50014 Fiesole (Firenze) Italy +39-55-59.99.41 Brian Jordan Music and Books 10 Green Street Cambridge CB 2 3JU England Minkoff 8, rue Eynard a La Regle d'Or CH-1211 Geneve 12 23, rue de Fleurus Switzerland 75006 Paris (41-22)310 46 60 France (33-1)45 44 9433 Severinus Press 12 St. Ethelbert Close Sutton St. Nicholas Hereford HR1 3BF England 432 880 157 (telephone) 432 880 158 (fax) S.P.E.S. Studio Per Edizioni Scelte Lungarno Guicciardini 9/R 50100 Firenze ITALY +39 55 218690 Tree Edition Albert Reyerman Brunhildenstr. 20 D-8000 Munchen 19 Deutschland Antiqua Edition Im Hamm 16 D-56132 Dausenau Deutschland 02603/14671 Tree Edition Albert Reyerman Brunhildenstr. 20 80639 München ORIENT: Koten Gakki Center (Early Instruments Center - a branch of Gitarura Music Publishing Co.) 3-17-49 Shimo-ochiai Shunjuki-ku, Tokyo, 161 Japan Phone (Tokyo) 3-3-952-5515 Thanks to Wayne Cripps, Peter Dickof, Etsuko Jennings, Bob Judd, Jane Langley, Benoit Petitjean, Bev Ross, Francesco Tribioli, Martin J. van den Boogaard and Stephen Wilcox for comments and contributions to this file. I am responsible for its final content and any typographical errors. Comments and corrections are welcomed. Caroline Usher cpu@suna.biochem.duke edu **** Thankds! Caroline updated Nov 2, 98 by wbc